With solos and duets featuring dancers Jason Kittelberger and Jonathan Goddard, Pure Dance also stages the highly anticipated, electric partnership between Osipova and American Ballet Theatre principal David Hallberg. Dancers: Natalia Osipova and Jason Kittelberger Music: Deefly, Moonlight Sonata by Ludwig van Beethoven, Reflections of my life by Marmalade. Francesca Carington, Needless to say, Osipova’s four dogs are loving having her around at the moment, her two crinkled shar peis, a chow chow called Kai and a Russian dog who resembles a snowy white wolf called Yevi. Force of Nature Natalia is out now and will be broadcast on Sky Arts on 18 June. It sounds like Osipova has found her lockdown rhythm, no doubt helped along by her American fiancé Jason Kittelberger (a contemporary dancer). The 33-year-old Principal Dancer at the Royal Ballet naturally, as a Russian, cut her teeth at the Bolshoi before moving on to dance in America and finally settling in London six years ago. “The woman said, ‘She could have danced another classical ballet. In 2011, Osipova performed in Roy Assaf's Six Years Later, partnering with Jason Kittelberger and the same year danced in Valse Triste by Alexei Ratmansky. “I can think of two situations when [Royal Ballet director] Kevin O’Hare said, ‘This is not happening’, otherwise something unpleasant might have started.”, The pressure, the egos, the intensity of a dancer’s life have certainly been blamed for more than one artistic outburst. ‘Now, it’s okay,’ she tells me in English inflected with a deep Russian accent, ‘I’m taking it step-by-step, week-by-week. ‘It was like a real person, really touching me’ … Natalia Osipova and Jason Kittelberger in Six Years Later. Many, many years later, she is completely different. December 23, 2020. “So different,” she says. I need a lot of attention, especially from men – maybe because my father had such a comforting, amazing energy. “No one but him can answer your question,” she says. “When I started dancing it, I was 19 or 20, and I was doing it in a very non-traditional way. “I felt quite vulnerable. She’s a crazy, fragile woman. You start thinking, “oh my god, why do I dance like that, oh my god, I’m so stupid.” You always want to stop and correct yourself. Jason really gets it and gives me everything I need. We meet at her flat in Little Venice, London – smart modern decor and the feel of someone who’s not home much – where we are joined by an interpreter and two over-excited dogs. ‘I am never around this much. Natalia Osipova has often been described as an enigma, as a dancer who keeps her audiences on the edge of their seats with pure but unpredictable performances, that makes you hold your breathe, as you never know what you’re about to experience until this star steps on stage.. Osipova beautifully escapes restraint in the contemporary duet, Left Behind, performed with choreographer Jason Kittelberger to Rachmaninov Elegie Op3 No1. Of course, two people, two bodies connecting, is something dance can express well. Print + Digital Bleak tale … Osipova in The Mother at Gorky Moscow Art theatre. Why am I not understood?”. Osipova and Kittelberger exchange best practice, she teaches him barre and he teaches her yoga and some contemporary dance (what Osipova describes as like ‘a different language’ in dance terms). Someone who is used to a flat out schedule of back-to-back performances. Pure Dance is a curated evening of seven pieces, designed to showcase Natalia Osipova’s talent and versatility. The reason I’m speaking with Osipova today is because of the Royal Opera House’s ‘Our House to Your House’ series, where every Friday evening they stream a production in full to their YouTube channel. Hope Coke, A spectacular festive treat for all the family, The royal opened up in an Instagram Live for the Anti-Slavery Collective, The glamorous Swedish couple become the latest European royals to test positive for the virus, By It’s a really good time for me now.”. It’s not easy, but still I’ll do it.’ Certainly, Tatler will be tuning in to watch such a moving depiction of Russian history and Osipova’s stirring performance as the lead. ‘If you want the audience and everybody to believe you, you absolutely have to know what you play. I can’t work like that.”, Does something about the nature of ballet companies engender a dysfunctional atmosphere? “It was electrifying. Facebook Twitter Pinterest. Sometimes people say I just don’t get enough of the language to know!” She laughs. How’s she getting on? I tried to read everything about her life; is it real? Not only has the show matured and grown but Osipova’s ownership of all the work she performs has … They met in 2018 performing Roy Assaf’s Six Years Later, a portrait of a tired and tetchy relationship, where Kittelberger was credited as being an ‘equal’ to the bewitching Osipova on stage. Natalia Osipova and Jason Kittelberger in Roy Assaf’s “Six Years Later” Photo by Johan Persson What saves the dance is the superb job that Osipova and Kittelberger do in investing their characters with a touch of humanity despite the contrived silliness of what they’re doing. “It’s the most natural part for me,” she says. REVIEW: Natalia Osipova Pure Dance at Sadler’s Wells Returning to Sadler’s Wells after a year of international touring, Royal Ballet Principal dancer, Natalia Osipova, handpicked 7 dances from a range of choreographers to showcase for worldwide audiences. The film sees them working on a new creation, I’m Fine, about the ups and downs of a relationship. He really showed me a different way of experiencing dance.”, Gerry Fox, who filmed the couple dancing in the studio, talks about their “sensual tension, two people giving their all through their bodies and being so free with each other”. I’m fine, I’m okay now.’, As the title character in Giselle at the Royal Opera House, 2013, The sale brings together exquisite pieces from two great aristocratic dynasties, the Mountbattens and the Knatchbulls, By That’s the gift I have.”. I’m very aware of my own power. Kittelberger provides Osipova with essential support off stage as well as on. You need to believe every second, it’s really intense.’. Rebecca Cope, The Royal Opera House launches online programme for 'culturally curious', Sotheby's to auction belongings of the late Countess Mountbatten of Burma, Danielle de Niese on why you should watch the online premiere of Handel's ‘Acis and Galatea’, End of an era as the ‘Harrods of the North’, Jenners, bids farewell, Tune in to watch the Royal Ballet’s enrapturing Edward Watson in The Metamorphosis this evening, Valentino co-founder Giancarlo Giammetti shares unseen photos of Audrey Hepburn, Why you need to know about DeuxMoi (the Internet’s biggest gossip), The Royal Ballet’s Kevin O’Hare on reuniting the company on stage, Bring the magic of The Royal Ballet’s Nutcracker home this Christmas, Expectant mother Princess Eugenie on life in lockdown, Prince Carl Philip and Princess Sofia of Sweden now self-isolating with Covid-19. atalia Osipova was standing in a queue at Moscow airport recently, waiting for her flight back to London, when she overheard a woman mention her name. Ahead of Anastasia’s premiere this Friday, Tatler talks exclusively to Natalia Osipova about becoming Anna Anderson for the Kenneth Macmillan production and how life in lockdown isn’t so bad with her fiancé and four dogs, By Osipova, 33, is very straightforward, not starry or effusive – unlike when she gets on stage, when she’ll propel herself towards dramatic extremes. In my career, I can only think of Kenneth MacMillan’s Anastasia.” (Premiered in 1967, Anastasia is about a woman who claimed to be the daughter of tsar Nicholas II.) This site uses cookies to improve your experience and deliver personalised advertising. The season then continued with her appearances in various solo performances, including under Ludwig … There is no information about his age yet. Reviews English National Ballet – Laid in Earth by Sidi Larbi Cherkaoui & Thomas James – streamed film. She’s content now at the Royal Ballet, a company with a healthier culture than most she has experienced. The most entrancing moments saw Osipova and Kittelberger, dressed in everyday jeans and t-shirts, shoulder wrestling. “He does see a bit of the child in me, in a good way. “She was talking about the show,” says Osipova, who had just finished performing The Mother, a contemporary dance drama. Because I’ve worked all the time, the past two, three years, working working working, these past few weeks have felt really strange. “The title comes from me personally, when I’m irritated or angry – saying ‘I’m fine!’ when it’s clear I’m not.” Kittelberger created the steps (“That’s not my strong point”) and Osipova was dramaturg. Photograph: Tristram Kenton/The Guardian “He does see a bit of the child in me, in a good … Hope Coke. Tag - Jason Kittelberger. ‘It doesn’t matter if it’s a happy or tragic story, if I go on stage I always want to tell the story to the audience.’ For her roles, she’ll study the character thoroughly. Now a principal with the Royal Ballet, and boasting a nonstop freelance schedule on the side, Osipova is a powerful dancer of explosive jumps and dramatic intensity. “I need more comfort, and if I don’t get it I become resentful. “It was like a real person, really touching me, and it was like, ‘Mmmm!’” Her bright eyes widen with mischief at the memory. Russia is my country, it’s my story, and it’s a really dark story for Russian history.’ The story is indeed torturous and it takes a great deal of psychological preparation to build up to the third act. As Anna Anderson in the third act of Anastasia, 2016, Anna Anderson’s divisive story has believers and sceptics, with some who trust her to be the Grand Duchess and others who consider her just a troublesome fantasist. “Giselle,” Osipova tells the camera at one point, “it’s me.” What did she mean? In this role, with Osipova as Anna, she has to believe her truth. Osipova came from the Bolshoi to be a principal dancer with the Royal Ballet, and in this evening’s programme, she was paired with three male dancers, Jonathan Goddard, David Hallberg and Jason Kittelberger. Dancing with Kittelberger was a revelation for Osipova. ‘The ballet is about the Romanov family, it’s a really big story in Russia. Why does she think he is so frequently self-destructive? It’s a private Instagram account that publishes crowdsourced nuggets of celebrity gossip to its 600k followers, By “At the moment, I feel very mature and capable, emotionally and physically,” she says. “The woman said, ‘She could have danced another classical ballet. “From my deep connection to the part – and my peaceful certainty that this is how it should be.”, When Osipova began her career at the Bolshoi, the director was Alexei Ratmansky, “who gave quite a lot of freedom”. “I’m more sensitive to the story,” she says. 4 Min Read ... Natalia Osipova Film – A Force of Nature Natalia. 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